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	<title>SLR Photography Guide Blog &#187; leefilters</title>
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		<title>0.9ND Lee filter, Slow motion water with a .9 ND Lee filter</title>
		<link>http://www.slrphotographyguide.com/blog/leefilters/9nd-leefilter.html</link>
		<comments>http://www.slrphotographyguide.com/blog/leefilters/9nd-leefilter.html#comments</comments>
		<pubDate>Sun, 14 Dec 2008 18:56:43 +0000</pubDate>
		<dc:creator>Tanya Puntti</dc:creator>
				<category><![CDATA[iMag]]></category>
		<category><![CDATA[leefilters]]></category>

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		<description><![CDATA[Discussion on what situtations are most useful for adding a .9 ND Filter to your camera setup. Includes photographs of slow motion water taken with the help of a .9 ND Lee Filter and how it was used.
]]></description>
			<content:encoded><![CDATA[<p></p><p><strong>.9 ND Lee Filter &#8211; Why it&#8217;s useful for slow motion water photography</strong></p>
<p><img src="http://www.slrphotographyguide.com/blog/wp-content/uploads/filters.jpg" width="90" height="90"></p>
<p>A .9 ND (neutral density) filter darkens the overal scene by 3 stops. This allows the photographer to shoot with a much <a href="http://www.slrphotographyguide.com/camera/settings/shutter-speed.shtml">slower shutter speed</a> that would other wise have been possible.</p>
<p>Take the image below for example. This photograph was taken at quarter to five in the afternoon, which is still quite sunny here in North Queensland Australia. Even with extreme camera settings of F/22 <a href="http://www.slrphotographyguide.com/camera/settings/av-mode.shtml">aperture</a> and <a href="http://www.slrphotographyguide.com/camera/settings/iso.shtml">ISO</a> of 100, I was unable to achieve anything that resembled slow motion water, until I added a .9 ND Lee filter to the setup. <span id="more-31"></span></p>
<p>Yes, some could argue that if I&#8217;d waited another couple of hours, I would most likely have gotten the same photograph without the use of filters. However, as most photographers understand, sometimes you have to take a shot while you can. In this particular place, waiting around till dark, we&#8217;d have been eaten alive by sandflies. Personally, I also like seeing a hint of sunlight within the photograph, that I would not have had the opportunity to capture if it were a later time in the day.</p>
<p><img src="http://www.slrphotographyguide.com/blog/wp-content/uploads/9NDfilterexample.jpg" width="300" height="200"></p>
<p><strong>Camera Settings</strong></p>
<p><strong>Camera:</strong> Canon EOS 5D<br />
<strong>Lens:</strong> <a href="http://www.slrphotographyguide.com/blog/digital-slr-cameras/review-canon-17-40mmf4l-lens.html">Canon 17-40mm f4 L</a><br />
<strong>Exposure:</strong> 0.5 sec (1/2)<br />
<strong>Aperture:</strong> f/22<br />
<strong>Focal Length:</strong> 33 mm<br />
<strong>ISO Speed: </strong>100<br />
<strong>Exposure Bias:</strong> 0 EV<br />
<strong>Exposure Program:</strong> manual</p>
<p>Here is another example, this time taken at 5.30 in the afternoon. Once again, keep in mind this is North Queensland Australia where the sun doesn&#8217;t go down until late in the day in summer time.</p>
<p><img src="http://www.slrphotographyguide.com/blog/wp-content/uploads/water-rocks.jpg" width="300" height="213"></p>
<p>For this landscape, I use a 0.9 ND Lee Filter to deliberately prolong the exposure and accentuate the movement of the water. In real life, waves were crashing in over the rocks seen on the lower right.</p>
<p><strong>Camera Settings</strong></p>
<p><strong>Camera:</strong> Canon EOS 5D<br />
<strong>Lens:</strong> <a href="http://www.slrphotographyguide.com/blog/digital-slr-cameras/review-canon-17-40mmf4l-lens.html">Canon 17-40mm f4 L</a><br />
<strong>Exposure:</strong> 10 sec (10)<br />
<strong>Aperture:</strong> f/22<br />
<strong>Focal Length:</strong> 17 mm<br />
<strong>ISO Speed:</strong> 50<br />
<strong>Exposure Bias:</strong> 0 EV<br />
<strong>Exposure Program:</strong> manual</p>
<p>I can see this ND filter is going to quickly become one of my favorites.</p>
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		<title>Combining 2 Lee Filters .9 ND plus Coral Stripe</title>
		<link>http://www.slrphotographyguide.com/blog/leefilters/combining2leefilters.html</link>
		<comments>http://www.slrphotographyguide.com/blog/leefilters/combining2leefilters.html#comments</comments>
		<pubDate>Sat, 13 Dec 2008 14:13:43 +0000</pubDate>
		<dc:creator>Tanya Puntti</dc:creator>
				<category><![CDATA[leefilters]]></category>

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		<description><![CDATA[Combining 2 Lee Filters .9 ND (neutral density) plus a Coral Stripe for landscape photography. Explains when these two filters go well together and gives an example photograph.
]]></description>
			<content:encoded><![CDATA[<p></p><p><span style="font-size: 1.25em;"><strong>Experimenting with combining 2 Lee Filters .9 ND (neutral density) plus a Coral Stripe</strong></span></p>
<p>As you can see by the example photograph below, our recent trip away to Cape Hillborough Resort was the perfect landscape to test out a few new Lee Filters. The Lee foundation kit that I purchased a week ago allows me to combine up to 3 filters to my camera lens simultaneously. For the photograph seen below, I combined a .9 ND with a Coral Stripe filter on top. <span id="more-30"></span></p>
<div><em>Note: Click on the landscape photograph below to view the larger image</em></div>
<p><span class="mt-enclosure mt-enclosure-image"><a onclick="window.open('http://www.slrphotographyguide.com/blog/images/leefilterexample.html','popup','width=1024,height=710,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false" href="http://www.slrphotographyguide.com/blog/images/leefilterexample.html"><img class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" src="http://www.slrphotographyguide.com/blog/images/leefilterexample-thumb-500x346.jpg" alt="combining 2 lee filters to camera lens" width="500" height="346" /></a></span></p>
<div><em>.9 ND + Coral Stripe filter on a Canon 5D with a 17-40mm f4 L lens</em></div>
<p><span style="font-size: 1.25em;"><br />
<strong>Why did I choose those two filters?</strong></span></p>
<p>The .9 ND (neutral density) Pro Glass filter reduces light by 3 stops. This allowed me to set a slower shutter speed of 30 seconds, which created a smooth milky water effect.</p>
<p>The Coral Stripe Lee filter was perfect to help enhance a band of orange in the sky that was already naturally there. We are lucky here in North Queensland Australia to see this often just above the horizon line during sunsets and sunrises. I&#8217;ve found in previous experiments with Lee filters that they often look too fake if you try and put color into the photograph that isn&#8217;t in the scenery to start with.<br />
<span style="font-size: 1.25em;"><strong><br />
Other camera settings:</strong></span></p>
<p><span style="font-size: 1.25em;"><strong> </strong><span style="font-size: 0.8em;"><strong>Exposure:</strong> 30 sec (30)<br />
<strong>Exposure Program:</strong> Manual<br />
<strong>Aperture:</strong> f/11<br />
<strong>Focal Length:</strong> 17 mm<br />
<strong>ISO Speed:</strong> 50<br />
<strong>Exposure Bias:</strong> 0 EV</span></span></p>
<p><span style="font-size: 1.25em;"><span style="font-size: 0.8em;"><br />
</span></span></p>
<p><span style="font-size: 1.25em;"> </span></p>
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